Giovanni Pierluigi da Palestrina - translation to french
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Giovanni Pierluigi da Palestrina - translation to french

ITALIAN RENAISSANCE COMPOSER (C. 1525–1594)
Giovanni Periluigi da Palestrina; Giovanni pierluigi da palestrina; Giovanni Pierluigi de Palestrina; Palestrina, Giovanni Periluigi da; Da Palestrina; Giovanni Palestrina; Giovanni Pierluigi Da Palestrina; Pierluigi da Palestrina; Palestrina, Giovanni Pierluigi da; G. P. A. de Palestrina; Pierluigi Da Palestrina; Giovanni da Palestrina; Giovanni Perluigi du Palestrina; Giovanni Pierluigi
  • Giovanni Pierluigi da Palestrina
  • Missa Papae Marcelli – Kyrie
  • Portrait of Giovanni Pierluigi da Palestrina, 16th century
  • St John Lateran]], Rome, where Palestrina was musical director

Giovanni Pierluigi da Palestrina         
Giovanni Pierluigi da Palestrina (1525-1594), Italian composer
Palestrina      
Palestrina, ancient city in central Italy; Giovanni Pierluigi da Palestrina (Italian composer)

Definition

DA
Digital-to-Analog (Reference: D/A), "Style: D/A"

Wikipedia

Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.

Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to Grove Music Online, Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement."